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An actor or actress
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Grip |
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Grips are trained lighting and
rigging technicians. The main responsibilities of a grip are
to work closely with the electrical department to put in the
lighting set-ups necessary for a shot. On the sound stage,
they are responsible for moving and adjusting major set
pieces when something needs to be moved to get a camera into
position. They may belong to the International Alliance of
Theatrical Stage Employees. |
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Key grip |
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The key grip is
the chief grip on a set, and is the head of
the set operations department. The key grip
works with the director of photography to
help set up the set and to achieve the
correct lighting and blocking. |
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Best boy (Grip)
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The best boy
grip is the chief assistant to the key grip. |
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Dolly grip
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The grip in
charge of operating the camera dolly is
called the dolly grip. He/she places,
levels, and moves the dolly track, then
pushes and pulls the dolly and usually a
camera operator and camera assistant as
riders. |
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